<?xml version='1.0' encoding='UTF-8'?><rss xmlns:atom='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' version='2.0'><channel><atom:id>tag:blogger.com,1999:blog-18923873</atom:id><lastBuildDate>Mon, 19 May 2008 14:21:44 +0000</lastBuildDate><title>Carl Brandon Society blog</title><description/><link>http://carlbrandon.org/blog/</link><managingEditor>noreply@blogger.com (Nalo)</managingEditor><generator>Blogger</generator><openSearch:totalResults>64</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18923873.post-3310564945522379746</guid><pubDate>Mon, 19 May 2008 02:19:00 +0000</pubDate><atom:updated>2008-05-19T07:21:44.122-07:00</atom:updated><category domain='http://www.blogger.com/atom/ns#'>wiscon</category><title>Join the Carl Brandon Society at WisCon 32</title><description>Are you heading to &lt;a href="http://wiscon.info/"&gt;WisCon&lt;/a&gt; for Memorial Day Weekend? If so, be sure to connect with the Carl Brandon Society. Our schedule is posted below. You can also chat with steering committee members Candra K. Gill, Claire Light, Victor Raymond, Nisi Shawl, and Bryan Thao Worra. The steering committee will be wearing pins that say, "Color Me SF!"&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Official Carl Brandon Society Events at WisCon 32&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Friday, 7:30 - 8:30 p.m.&lt;br /&gt;WisCon Opening Ceremonies&lt;br /&gt;&lt;br /&gt;The Carl Brandon Society is hosting the Opening Ceremonies this year, so come help us kick off WisCon.&lt;br /&gt;&lt;br /&gt;Friday, 10:30 p.m - Party&lt;br /&gt;&lt;br /&gt;Join us on the sixth floor for our party with our co-host, the &lt;a href="http://www.speculativeliterature.org/"&gt;Speculative Literature Foundation&lt;/a&gt;. Talk with Carl Brandon Society steering committee members, make a crown, renew your membership, and check out the new Carl Brandon Society buttons.&lt;br /&gt;&lt;br /&gt;Saturday, 10:00 - 11:15 a.m., Conference Room 5&lt;br /&gt;Carl Brandon Society Update&lt;br /&gt;&lt;br /&gt;Come to this panel to get a comprehensive update on the Awards and the Butler Memorial Scholarship. We're also looking for your input, so come ready to brainstorm with us.&lt;br /&gt;&lt;br /&gt;Saturday, 2:30 - 3:45p.m., Conference Room 4&lt;br /&gt;&lt;br /&gt;Carl Brandon Society Sponsored Panel. Program Description: &lt;a name="Saturday"&gt;You've heard of Octavia Butler, Samuel Delany, and Nalo Hopkinson as people of color who write SF/F. Let's talk about other writers of genre fiction who are people of color. Who are your favorites that everyone should be reading?&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Sunday, 4 - 5:15 p.m., Conference Room 5&lt;br /&gt;Some of Us Are Brave: Identity Intersections in an Election Year&lt;br /&gt;&lt;br /&gt;Carl Brandon Society Sponsored Panel. Program Description: With the Clinton and Obama candidacies, there has been a great deal of discussion in the press about race and gender. Unfortunately, this discussion is often framed in terms of which is the so-called bigger issue. Black women in particular have been singled out as facing a perceived dilemma in terms of identity framed as an either/or situation. This panel will look at identity intersections - ands instead of ors - using the discourse around the Clinton and Obama candidacies as a framework.&lt;br /&gt;&lt;br /&gt;Sunday, 5:30 - 7 p.m.&lt;br /&gt;CBS Invitational Dinner/Mixer&lt;br /&gt;&lt;br /&gt;Dinner with the steering committee and ongoing &amp;amp; prospective volunteers&lt;br /&gt;&lt;br /&gt;For more information about WisCon, visit &lt;a href="http://wiscon.info/"&gt;http://wiscon.info/&lt;/a&gt;</description><link>http://carlbrandon.org/blog/2008/05/join-carl-brandon-society-at-wiscon-32.html</link><author>noreply@blogger.com (Candra K. Gill)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18923873.post-6352231765791722261</guid><pubDate>Thu, 07 Feb 2008 20:01:00 +0000</pubDate><atom:updated>2008-02-07T12:07:55.521-08:00</atom:updated><title>Black History Month SF Reading List</title><description>&lt;pre style="font-family: verdana;"&gt;The Carl Brandon Society recommends the following books for BLACK HISTORY MONTH:&lt;br /&gt;&lt;br /&gt;&lt;/pre&gt;&lt;ul&gt;&lt;li&gt;&lt;span style="font-style: italic;"&gt;So Long Been Dreaming: Postcolonial Science Fiction &amp;amp; Fantasy &lt;/span&gt;&lt;/li&gt;&lt;li&gt;edited by Nalo Hopkinson and Uppinder Mehan&lt;/li&gt;&lt;li&gt;&lt;span style="font-style: italic;"&gt;Parable of the Sower&lt;/span&gt; by Octavia Butler&lt;/li&gt;&lt;li&gt;&lt;span style="font-style: italic;"&gt;Dhalgren&lt;/span&gt; by &lt;span style="border-bottom: 1px dashed rgb(0, 102, 204); background: transparent none repeat scroll 0% 50%; cursor: pointer; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;" class="yshortcuts" id="lw_1202414551_0"&gt;Samuel R. Delany&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-style: italic;"&gt;My Soul to Keep&lt;/span&gt; by Tananarive Due&lt;/li&gt;&lt;li&gt;&lt;span style="font-style: italic;"&gt;The Coyote Kings of the Space Age Bachelor Pad&lt;/span&gt; by Minister Faust&lt;/li&gt;&lt;li&gt;&lt;span style="font-style: italic;"&gt;Mindscape&lt;/span&gt; by Andrea Hairston&lt;/li&gt;&lt;li&gt;&lt;span style="font-style: italic;"&gt;Wind Follower&lt;/span&gt; by Carole McDonnell&lt;/li&gt;&lt;li&gt;&lt;span style="font-style: italic;"&gt;Futureland&lt;/span&gt; by &lt;span style="border-bottom: 1px dashed rgb(0, 102, 204); background: transparent none repeat scroll 0% 50%; cursor: pointer; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;" class="yshortcuts" id="lw_1202414551_1"&gt;Walter Mosley&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-style: italic;"&gt;The Shadow Speaker &lt;/span&gt;by Nnedi Okorafor-Mbachu&lt;/li&gt;&lt;li&gt;&lt;span style="font-style: italic;"&gt;Zahrah the Windseeker&lt;/span&gt; by Nnedi Okorafor-Mbachu&lt;/li&gt;&lt;/ul&gt;&lt;pre style="font-family: verdana;"&gt;&lt;br /&gt;And the 2005 CARL BRANDON SOCIETY AWARD Winners:&lt;br /&gt;&lt;br /&gt;PARALLAX AWARD given to works of speculative fiction created by a&lt;br /&gt;person of color: &lt;span style="font-style: italic;"&gt;47&lt;/span&gt; by &lt;span style="border-bottom: 1px dashed rgb(0, 102, 204); background: transparent none repeat scroll 0% 50%; cursor: pointer; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;" class="yshortcuts" id="lw_1202414551_2"&gt;Walter Mosley&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;KINDRED AWARD given to any work of speculative fiction dealing with&lt;br /&gt;issues of race and ethnicity; nominees may be of any racial or ethnic&lt;br /&gt;group: &lt;span style="font-style: italic;"&gt;Stormwitch&lt;/span&gt; by Susan Vaught&lt;br /&gt;&lt;br /&gt;Watch for future lists, and feel free to leave your suggestions in the comments.&lt;br /&gt;&lt;/pre&gt;</description><link>http://carlbrandon.org/blog/2008/02/black-history-month-sf-reading-list.html</link><author>noreply@blogger.com (Candra K. Gill)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18923873.post-5250895392170951208</guid><pubDate>Fri, 13 Jul 2007 17:22:00 +0000</pubDate><atom:updated>2007-07-13T10:22:45.238-07:00</atom:updated><title>Nominations for 2007 Awards Close July 31</title><description>Now is the time to make your nominations for the 2007 Parallax and Kindred Awards. Nominations for eligible works published in 2006 will close at midnight on Tuesday, July 31. Nominations made by U.S. Mail must be postmarked by that date, and online nominations must be received by then. The Awards will be presented later this year.&lt;br /&gt;For more information on the Awards, or to make a nomination, see our &lt;a href="http://carlbrandon.org/awards.html"&gt;Awards page&lt;/a&gt;.</description><link>http://carlbrandon.org/blog/2007/07/nominations-for-2007-awards-close-july.html</link><author>noreply@blogger.com (Candra K. Gill)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18923873.post-787459460368193728</guid><pubDate>Fri, 13 Jul 2007 17:19:00 +0000</pubDate><atom:updated>2007-07-13T10:21:22.194-07:00</atom:updated><title>Octavia E. Butler Memorial Scholarship Challenge Grant Met</title><description>We’re very pleased to announce that we have more than met the challenge issued by SciFi, Inc. As of Octavia’s birthday, June 22, we’ve received over $2200 in donations, far surpassing their $1500 goal. With SciFi, Inc.’s check that $2200 will become $3700. Thanks so much to everyone who helped make this possible.&lt;br /&gt;&lt;br /&gt;We continue to accept donations to the Scholarship Fund online via the PayPal button on &lt;a href="http://carlbrandon.org/butlerscholarship/index.html"&gt;our scholarship page&lt;/a&gt;, and through the mail at: The Octavia E. Butler Memorial Scholarship Fund, c/o The Carl Brandon Society, P.O. Box 23336, Seattle WA, 98102.</description><link>http://carlbrandon.org/blog/2007/07/octavia-e-butler-memorial-scholarship.html</link><author>noreply@blogger.com (Candra K. Gill)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18923873.post-7019590043189244308</guid><pubDate>Fri, 13 Jul 2007 17:11:00 +0000</pubDate><atom:updated>2007-07-13T10:16:03.072-07:00</atom:updated><title>Think GalactiCon</title><description>Join many members of the Carl Brandon Society at &lt;a href="http://thinkgalactic.org/convention.htm"&gt;Think GalactiCon &lt;/a&gt;this weekend at Chicago's Roosevelt University. The convention runs from July 13 through 15. Featured guests include &lt;a href="http://nalohopkinson.blogspot.com/"&gt;Nalo Hopkinson&lt;/a&gt; (author), &lt;a href="http://nomediakings.org/"&gt;Jim Munroe&lt;/a&gt; (author/publisher), &lt;a href="http://www.sfwa.org/members/shawl/"&gt;Nisi Shawl&lt;/a&gt; (author), &lt;a href="http://www2.uic.edu/~nokora1/"&gt;Nnedi Okorafor-Mbachu&lt;/a&gt; (author), and Gary K. Wolfe (critic). Visit &lt;a href="http://thinkgalactic.org/convention.htm"&gt;http://thinkgalactic.org/convention.htm&lt;/a&gt; for more information.</description><link>http://carlbrandon.org/blog/2007/07/think-galacticon.html</link><author>noreply@blogger.com (Candra K. Gill)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18923873.post-9047261684715352054</guid><pubDate>Wed, 09 May 2007 17:41:00 +0000</pubDate><atom:updated>2007-05-09T10:51:22.350-07:00</atom:updated><category domain='http://www.blogger.com/atom/ns#'>India</category><category domain='http://www.blogger.com/atom/ns#'>Narnia</category><category domain='http://www.blogger.com/atom/ns#'>Mumbai</category><category domain='http://www.blogger.com/atom/ns#'>film</category><category domain='http://www.blogger.com/atom/ns#'>fantasy</category><title>"Animation and Allegory":  Anand Parthsarathy writes about the Indian animation team that worked on "The Chronicles of Narnia"</title><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://carlbrandon.org/blog/uploaded_images/narn-780600.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://carlbrandon.org/blog/uploaded_images/narn-780598.jpg" border="0" alt="" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.hinduonnet.com/thehindu/fr/2006/01/27/stories/2006012700430100.htm"&gt;&lt;blockquote&gt;The Chronicles of Narnia: The Lion, The Witch and The Wardrobe combines live action with computer-generated graphics and special effects. An Indian team of animators in Mumbai did the core work.&lt;/blockquote&gt;&lt;/a&gt;</description><link>http://carlbrandon.org/blog/2007/05/animation-and-allegory-anand.html</link><author>noreply@blogger.com (Nalo)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18923873.post-116456003123803806</guid><pubDate>Sun, 26 Nov 2006 16:32:00 +0000</pubDate><atom:updated>2007-05-09T11:31:15.709-07:00</atom:updated><category domain='http://www.blogger.com/atom/ns#'>shape-shifter</category><category domain='http://www.blogger.com/atom/ns#'>Temple University</category><category domain='http://www.blogger.com/atom/ns#'>e-drum</category><category domain='http://www.blogger.com/atom/ns#'>African American</category><category domain='http://www.blogger.com/atom/ns#'>women's studies</category><category domain='http://www.blogger.com/atom/ns#'>Patricia Melzer</category><category domain='http://www.blogger.com/atom/ns#'>feminism</category><category domain='http://www.blogger.com/atom/ns#'>cfp</category><category domain='http://www.blogger.com/atom/ns#'>postcolonial</category><category domain='http://www.blogger.com/atom/ns#'>queer</category><category domain='http://www.blogger.com/atom/ns#'>black</category><category domain='http://www.blogger.com/atom/ns#'>Octavia Butler</category><category domain='http://www.blogger.com/atom/ns#'>call for papers</category><category domain='http://www.blogger.com/atom/ns#'>science fiction</category><title>Call for essays--Octavia E. Butler's work</title><description>(Thank you to &lt;a href="http://www.kalamu.com/"&gt;Kalamu Ya Salaam&lt;/a&gt; and his &lt;a href="http://www.topica.com/lists/e-drum"&gt;e-drum&lt;/a&gt; for the information.)&lt;br /&gt;&lt;br /&gt;&lt;b&gt;CFP: I've been a woman I-don't know-how-many-times: A Critical Tribute to the Work of Octavia E. Butler&lt;br /&gt;&lt;br /&gt;Essay collection, ed. Patricia Melzer&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Over the course of twenty-five years, Octavia E. Butler published thirteen books and is the most widely known African American woman science fiction writer.  The impact of her fiction has been significant both in popular and critical terms.  Her compelling narratives reach audiences far beyond traditional genre classifications: she has gained dedicated readers outside the science fiction milieu and has achieved cult status across a variety of audiences, including feminist, African American, youth, and science fiction readers alike. Her narratives depict complex societies in which alien species force-breed with humans and humans mutate into alien forms, in which time travel and shapeshifters exist, and in which humans have telepathic abilities. Butler's science fiction narratives are intriguing because of the complex and at times contradictory reading experiences they offer; they juxtapose affirmation of difference with experiences of colonization and slavery. At the center of her narratives, which Ruth Salvaggio defines as &lt;i&gt;stories of power&lt;/i&gt;, are the struggles of strong female characters who negotiate the contradictions created by colonial encounters and chaotic social upheaval. Butler's writing raises issues of how to resist racism, sexism, and exploitation in ways that elucidate many of the concepts we encounter in feminist thought, as well as in queer imaginations.&lt;br /&gt;&lt;br /&gt;While not alone in re-imagining the ways in which race, gender, sexuality and nationality intersect, Butler's work is set apart from that of most other writers in her challenging and pleasureable engagement of simultaneous discourses.  Above all, her work has ignited a significant critical resonance across disciplinary boundaries as few science fiction writers have, in particular in feminist studies of utopian thought, African American literary criticism, postcolonial discourse, and genre literature.&lt;br /&gt;&lt;br /&gt;Until her untimely death in 2006, Butler's stories have inspired and influenced feminist debates, and they continue to impact readers' lives today. This volume aims to bring together for the first time a comprehensive collection of critical essays on Butler's writing. The anthology will combine previously published work that was influential in shaping much of feminist and -- more recently -- queer debates on Butler’s fiction with new scholarship engaging with Butler's writing. Those approaches may involve readings of any of Butler's works in terms of e.g. feminist theory, queer theory, science fiction studies, postcolonial theory, lesbian and gay studies, and critical race studies.&lt;br /&gt;&lt;br /&gt;E-mail proposals for new articles as attachments to:&lt;br /&gt;&lt;br /&gt;&lt;a href=mailto:"pmelzer@temple.edu"&gt;Patricia Melzer&lt;/a&gt;&lt;br /&gt;Women’s Studies, Temple University&lt;br /&gt;pmelzer@temple.edu&lt;br /&gt;phone: 215.204.6953&lt;br /&gt;&lt;br /&gt;Deadline for proposals (ca. 1000 words): March 30, 2007&lt;br /&gt;Deadline for full manuscripts (ca. 8000 words): June 15, 2007&lt;br /&gt;&lt;br /&gt;The editor, Patricia Melzer, is Director of Women’s Studies at Temple University and author of "Alien Constructions: Science Fiction and Feminist Thought" (2006).&lt;br /&gt;&lt;br /&gt;Dr. Patricia Melzer&lt;br /&gt;Director, Women's Studies Program&lt;br /&gt;Temple University&lt;br /&gt;1114 West Berks Street&lt;br /&gt;816 Anderson Hall&lt;br /&gt;Philadelphia, PA 19122&lt;br /&gt;phone: 215.204.6953&lt;br /&gt;fax: 215.204.9611&lt;br /&gt;&lt;br /&gt;         ==========================================================&lt;br /&gt;              From the &lt;a href="http://cfp.english.upenn.edu"&gt;Literary Calls for Papers Mailing List&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;#############################################&lt;br /&gt;e-drum is a listserv providing information of interest to black writers and diverse supporters worldwide.  e-drum is moderated by kalamu ya salaam.  &lt;br /&gt;&lt;a href="http://www.topica.com/lists/e-drum"&gt;Read past messages or search the e-drum archives&lt;/a&gt;</description><link>http://carlbrandon.org/blog/2006/11/call-for-essays-octavia-e-butlers-work.html</link><author>noreply@blogger.com (Nalo)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18923873.post-116415975431507813</guid><pubDate>Wed, 22 Nov 2006 01:40:00 +0000</pubDate><atom:updated>2006-11-21T17:42:34.330-08:00</atom:updated><title>Results of The Scientific Indian 2006 short story contest</title><description>&lt;a href="http://www.thescian.com/scifi/"&gt;The Scientific Indian:  Science as a way of life.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Science Fiction Short Story Contest Results&lt;br /&gt;&lt;br /&gt;First: 'The Asylum at Bergen'&lt;br /&gt;by Aditya Sudarshan&lt;br /&gt;&lt;br /&gt;Second: 'To Sleep, Perchance to Dream'&lt;br /&gt;by Rohinton Daruwala&lt;br /&gt;&lt;br /&gt;Third: 'Now We Live a Full Lifespan'&lt;br /&gt;by Cyril M Gupta&lt;br /&gt;&lt;span style="font-style:italic;"&gt;&lt;br /&gt;&lt;a href="http://www.thescian.com/scifi/"&gt;Read the winning stories and others here.&lt;/a&gt;&lt;/span&gt;</description><link>http://carlbrandon.org/blog/2006/11/results-of-scientific-indian-2006.html</link><author>noreply@blogger.com (Nalo)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18923873.post-116415465621502641</guid><pubDate>Wed, 22 Nov 2006 00:12:00 +0000</pubDate><atom:updated>2006-11-21T17:44:11.833-08:00</atom:updated><title>Submissions open for the Anisfield-Wolf Book Awards to Honor Works Addressing Issues of Racism and Diversity</title><description>Deadline: January 31, 2007&lt;br /&gt;&lt;br /&gt;The Anisfield-Wolf Book Awards, which recognize outstanding works that contribute to our understanding of racism or appreciation of the rich diversity of human cultures, is accepting entries. Now in its 72nd year, the Anisfield-Wolf Book Awards continues to be the only American book award designed specifically to recognize works addressing issues of racism and diversity. The awards are administered by the Cleveland Foundation.&lt;br /&gt;&lt;br /&gt;Awards are given for both fiction and nonfiction. Award recipients traditionally receive a monetary gift of $10,000 from the Anisfield-Wolf Fund.&lt;br /&gt; &lt;br /&gt;To be eligible, books must be written in English and published in 2006. Plays and screenplays are not eligible, nor are works in progress. Manuscripts and self-published works are not eligible.&lt;br /&gt; &lt;br /&gt;Submission information and form, as well as a complete list of winners, can be found at &lt;a href="http://fconline.foundationcenter.org/pnd/10005288/anisfield-wolf"&gt;the awards program Web site&lt;/a&gt;.</description><link>http://carlbrandon.org/blog/2006/11/submissions-open-for-anisfield-wolf.html</link><author>noreply@blogger.com (Nalo)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18923873.post-115815129073466994</guid><pubDate>Wed, 13 Sep 2006 12:38:00 +0000</pubDate><atom:updated>2006-09-24T14:29:29.283-07:00</atom:updated><title>25 ways to tokenize or alienate a non-white person around you</title><description>&lt;a href="http://colours.mahost.org/org/25ways.html"&gt;... (or, 25 examples of the racism we witness on a regular basis)&lt;br /&gt;&lt;br /&gt;by basil, billie, qwo-li, jenn and colin&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Examples:&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;11. ask a native person; "do you make your own jewelry?"&lt;br /&gt;&lt;br /&gt;12. use the identity of white anti-racist as a shield against accusations of racism.&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style:italic;"&gt;(thanks to &lt;a href="http://www.walkingthewalls.blogspot.com/"&gt;Walking the Walls&lt;/a&gt; for the pointer.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;As a game, I started counting how many of the 25 I've experienced.  Stopped when I'd gotten to 10 and was barely half-way through the list.&lt;br /&gt;&lt;br /&gt;-nalo</description><link>http://carlbrandon.org/blog/2006/09/25-ways-to-tokenize-or-alienate-non.html</link><author>noreply@blogger.com (Nalo)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18923873.post-115497131152829648</guid><pubDate>Mon, 07 Aug 2006 17:18:00 +0000</pubDate><atom:updated>2006-09-13T05:43:02.853-07:00</atom:updated><title>"Persistence Overcomes Resistance": Thoughts On The Black Panel at Comic Con International, 2006</title><description>From the blog of &lt;a href="http://andweshallmarch.typepad.com/and_we_shall_march/2006/07/persistence_ove.html"&gt;Black. Geek. And Fine With That&lt;/a&gt;:&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;That woman stood in front of men from her community and said she wanted to see solid representations of black women in the books her men create. One of them told her to wait for the men to get situated, the other told her it's too hard.&lt;br /&gt;&lt;br /&gt;Oh, wait. They didn't say that to her, only. They said that to all of us.&lt;/blockquote&gt;</description><link>http://carlbrandon.org/blog/2006/08/persistence-overcomes-resistance.html</link><author>noreply@blogger.com (Nalo)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18923873.post-115428135829423394</guid><pubDate>Sun, 30 Jul 2006 17:35:00 +0000</pubDate><atom:updated>2006-08-10T22:30:03.763-07:00</atom:updated><title>Interview with horror writer Brandon Massey</title><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.brandonmassey.com"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://carlbrandon.org/blog/uploaded_images/brandonmassey-775893.jpg" border="0" alt="" /&gt;&lt;/a&gt;&lt;br /&gt;Via &lt;a href="http://www.monicajackson.com/bib/?page_id=19"&gt;Monica Jackson's &lt;i&gt;Books in Black&lt;/i&gt;&lt;/a&gt;.  Excerpt:&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;Dean Koontz read an early draft of my first novel, gave me excellent critical notes, and I spent a year revising the manuscript according to his feedback. When I sent it back to him, he was so impressed by the newly improved book that he forwarded it to his own agent.&lt;br /&gt;&lt;br /&gt;And the agent STILL rejected the book! This proves that whom you know can get you only so far.&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://brandonmassey.com/"&gt;Massey's website.&lt;/a&gt;</description><link>http://carlbrandon.org/blog/2006/07/interview-with-horror-writer-brandon.html</link><author>noreply@blogger.com (Nalo)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18923873.post-115198655006832833</guid><pubDate>Tue, 04 Jul 2006 04:14:00 +0000</pubDate><atom:updated>2006-07-21T00:45:13.490-07:00</atom:updated><title>Charles Saunders is back!</title><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.nightshadebooks.com/book.aspx?bookid=135"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://photos1.blogger.com/blogger/543/45/400/Imarocover.0.jpg" border="0" alt="" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Charles Saunders has just released his re-imagined Imaro, through &lt;a href="http://www.nightshadebooks.com/book.aspx?bookid=135"&gt;Night Shade Books&lt;/a&gt;.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;Imaro&lt;br /&gt;   Charles Saunders&lt;br /&gt;&lt;br /&gt;Imaro is heroic fantasy like it’s never been done before. Based on Africa, and African traditions and legends, Charles Saunders has created Nyumbani (which means “home” in Swahili), an amalgam of the real, the semi-real, and the unreal. “Imaro” is the name of the larger-than-life warrior who travels across Nyumbani, always the outcast, searching for a home.&lt;br /&gt;&lt;br /&gt;This novel tells the story of Imaro’s childhood, his exile from his tribe, how he grew to manhood, and how he found and lost the love of his life. Charles Saunders has followed in the footsteps of Robert E. Howard and Fritz Leiber, creating an iconic hero along with dazzling, exotic, and mysterious world for Imaro to inhabit.&lt;br /&gt;&lt;br /&gt;But like his contemporaries Karl Edward Wagner (Kane) and Michael Moorcock (Elric), Charles Saunders brings something new to the table. As a black reader of science fiction and fantasy, Saunders discovered that black characters and African or African-inspired settings were few and far between. The sense of being an outsider in one’s own “tribe” provided the core seed for Imaro. A broad knowledge of, and passion for the history and myths of Africa fertilized Charles’ imagination and led to the creation of Imaro… a heroic fantasy character the likes of which has never been seen.&lt;br /&gt;&lt;br /&gt;Imaro is a rousing adventure... a tale of a young man’s struggle to gain acceptance amongst his people, and upon failing that, his continuing struggle to break the cycle of alienation and violence that plagues his adult life.&lt;br /&gt;&lt;br /&gt;At the same time, Imaro is a metaphor for Charles’ experience as a black man in the white world of Science Fiction and Fantasy. It is a journey of alienation and reclamation. It is a story of triumph and discovery. A story that will dazzle, and thrill, and move you.&lt;br /&gt;&lt;br /&gt;This is the author's preferred text, revised especially for our edition. With an introduction by the author and a foreword by Charles de Lint.&lt;br /&gt;&lt;br /&gt;Cover art by Vince Evans.&lt;br /&gt;&lt;br /&gt;"Charles Saunders is one of the most innovative writers in the so-called Sword and Sorcery field. He was in the second wave of pioneers. Those who actually made what Robert E. Howard invented move into a new and equally exciting arena. I always loved his ground-breaking novels and stories. And it’s good to see him back."&lt;br /&gt;—Joe R. Lansdale, author of Sunset and Sawdust and The Bottoms&lt;br /&gt;&lt;br /&gt;"Lord knows, the field needs the fresh and discerning insights that only Charles R. Saunders can bring to it."&lt;br /&gt;—Charles de Lint, author of The Blue Girl and Someplace to Be Flying&lt;br /&gt;&lt;br /&gt;Cover by Vince Evans.&lt;/blockquote&gt;</description><link>http://carlbrandon.org/blog/2006/07/charles-saunders-is-back.html</link><author>noreply@blogger.com (Nalo)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18923873.post-115007204316806021</guid><pubDate>Mon, 12 Jun 2006 00:21:00 +0000</pubDate><atom:updated>2006-06-12T07:26:59.393-07:00</atom:updated><title>Elliott Bay Book Company donates to the Octavia E. Butler Scholarship Fund</title><description>&lt;p class="firstpara"&gt;In June, 2006, the &lt;a href="http://www.elliottbaybook.com/" target="_blank"&gt;Elliott Bay Book Company&lt;/a&gt; in Seattle will donate 20% of their proceeds from the sale of certain books to the &lt;a href="http://www.carlbrandon.org/butlerscholarship/" target="_blank"&gt;Octavia E. Butler Memorial Scholarship Fund &lt;/a&gt; of the Carl Brandon Society.  Books must be purchased in person or over the phone, during the month of June.  &lt;b&gt;Online purchases do not qualify.&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;The donation will be made as part of Elliott Bay's "Books for a Change" program.  Titles for June include &lt;i&gt;&lt;b&gt;Dark Matter II,&lt;/b&gt;&lt;/i&gt; edited by Sheree Renee Thomas; &lt;i&gt;&lt;b&gt;Fledgling&lt;/b&gt;&lt;/i&gt; and &lt;i&gt;&lt;b&gt;Kindred&lt;/b&gt;&lt;/i&gt; by Octavia E. Butler; &lt;i&gt;&lt;b&gt;The Botany of Desire&lt;/b&gt;&lt;/i&gt; by Michael Pollan; &lt;i&gt;&lt;b&gt;Cinnamon Kiss,&lt;/b&gt;&lt;/i&gt; &lt;i&gt;&lt;b&gt;The Wave,&lt;/b&gt;&lt;/i&gt; and &lt;i&gt;&lt;b&gt;Fear Itself&lt;/b&gt;&lt;/i&gt; by Walter Mosley; &lt;i&gt;&lt;b&gt;Zorro&lt;/b&gt;&lt;/i&gt; and &lt;i&gt;&lt;b&gt;City of Beasts&lt;/b&gt;&lt;/i&gt; by Isabelle Allende; and many, many more.&lt;br /&gt;&lt;br /&gt;&lt;p&gt;For a complete list of the books that are part of the June donation program, please call the store at &lt;b&gt;(206) 624-6600&lt;/b&gt; or (toll free) &lt;b&gt;1-800-962-5311&lt;/b&gt;, or check the &lt;a href="http://www.elliottbaybook.com/lists/bfac.jsp" target="_blank"&gt;online list&lt;/a&gt;.  Then, either place an order for any of these books over the phone, or buy any of them at the store to make your selection count towards the bookstore's total donation.&lt;br /&gt;&lt;br /&gt;&lt;p&gt;The Octavia E. Butler Memorial Scholarship Fund will support writers of color attending the &lt;a href="http://www.msu.edu/~clarion/" target="_blank"&gt;Clarion&lt;/a&gt; and &lt;a href="http://www.clarionwest.org/" target="_blank"&gt;Clarion West&lt;/a&gt; Writing Workshops, beginning in 2007.  It is administered by the Carl Brandon Society, a nonprofit organization focusing on the presence and representation of people of color in the fantastic literary genres.  For more information about the Carl Brandon Society and the scholarship fund, please visit their &lt;a href="http://www.carlbrandon.org/" target="_blank"&gt;website&lt;/a&gt;.</description><link>http://carlbrandon.org/blog/2006/06/elliott-bay-book-company-donates-to.html</link><author>noreply@blogger.com (Nalo)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18923873.post-115007121964769538</guid><pubDate>Mon, 12 Jun 2006 00:10:00 +0000</pubDate><atom:updated>2006-06-12T06:50:28.783-07:00</atom:updated><title>New York Public Library tribute to Octavia E. Butler</title><description>Sheree Renee Thomas blogs about &lt;a href="http://blackpotmojo.blogspot.com/2006/06/last-nights-octavia-e-butler-tribute.html"&gt;the recent tribute to Octavia E. Butler at the New York Public Library&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;The evening offered many jewels, too many to jot all down here, ranging from heartfelt testimony, illuminating and hilarious anecdotes, a couple of bizarre moments (oh, we are human, ain't we!), some fyah performances from Sonia Sanchez and Avery Brooks (Good Lawd!), and rousing musicmakin' from Toshi and Bernice Johnson Reagon that could only make Octavia smile.&lt;/blockquote&gt;</description><link>http://carlbrandon.org/blog/2006/06/new-york-public-library-tribute-to.html</link><author>noreply@blogger.com (Nalo)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18923873.post-115004934806288648</guid><pubDate>Sun, 11 Jun 2006 18:02:00 +0000</pubDate><atom:updated>2006-06-11T11:09:08.063-07:00</atom:updated><title>"I"ll take two of those": The Cloned Cat, Sukumar Ray, and Putu (Amardeep Singh on Sukumar Ray)</title><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.lehigh.edu/~amsp/2004/12/ill-take-two-of-those-cloned-cat.html"&gt;&lt;img style="float:center; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://carlbrandon.org/blog/uploaded_images/HSOTXT08-777664.gif" border="0" alt="" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;(Illustration by Sukumar Ray, for one of his own books)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;I was reading randomly in The Vintage Book of Modern Indian Literature, and I came across Sukumar Ray, a highly prolific writer of surrealist children's stories in the 1910s and 20s. He was part of the Presidency College circle of Bengali intellectuals in Calcutta, and he was the father of acclaimed film maker Satyajit Ray.&lt;/blockquote&gt;  &lt;a href="http://www.lehigh.edu/~amsp/2004/12/ill-take-two-of-those-cloned-cat.html"&gt;Click to read the rest of the post.&lt;/a&gt;</description><link>http://carlbrandon.org/blog/2006/06/ill-take-two-of-those-cloned-cat.html</link><author>noreply@blogger.com (Nalo)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18923873.post-115004892109765509</guid><pubDate>Sun, 11 Jun 2006 17:54:00 +0000</pubDate><atom:updated>2006-06-11T11:02:01.096-07:00</atom:updated><title>Amardeep Singh on Debjani Sengupta and early Bengali science fiction</title><description>From &lt;a href="http://www.amardeepsingh.com"&gt;Amardeep Singh's blog&lt;/a&gt;, a post on &lt;a href="http://www.lehigh.edu/~amsp/2006/05/early-bengali-science-fiction.html"&gt;early Bengali science fiction&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;It seems a little hard to imagine people writing about electric doorbells and burglar alarms in the 1880s in Calcutta, but there you have it. (Doorbells were actually invented in 1830, so maybe it's not that shocking.)&lt;/blockquote&gt;</description><link>http://carlbrandon.org/blog/2006/06/amardeep-singh-on-debjani-sengupta-and.html</link><author>noreply@blogger.com (Nalo)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18923873.post-115004652579947758</guid><pubDate>Sun, 11 Jun 2006 17:16:00 +0000</pubDate><atom:updated>2006-06-11T10:22:06.126-07:00</atom:updated><title>Website: Speculative, Science and Fantasy Fiction in the Philippines (Freedom of Thought)</title><description>&lt;a href="http://ssff.philsites.net/"&gt;Speculative, Science and Fantasy Fiction in the Philippines (Freedom of Thought)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The Fantasy, Science Fiction and Speculative Fiction in the Philippines weblog is a repository of thoughts re: SSFF (speculative, science fiction and fantasy) productions made within the Republic of the Philippines, or by Filipino writers. It is currently maintained by Rebecca Arcega (Bhex), and is also a mirror for announcements made in the &lt;a href="http://groups.yahoo.com/group/phil_sf-and-f_writers/"&gt;Philippine Science Fiction and Fantasy Writers Yahoogroup&lt;/a&gt;.  Its mission is to promote discussion and facilitate the spread of information related to the SSFF scene in the Philippines, and/or SSFF works published by Filipino writers. Comments are very welcome.</description><link>http://carlbrandon.org/blog/2006/06/website-speculative-science-and.html</link><author>noreply@blogger.com (Nalo)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18923873.post-114991749075336174</guid><pubDate>Sat, 10 Jun 2006 05:15:00 +0000</pubDate><atom:updated>2006-06-09T22:31:30.766-07:00</atom:updated><title>Comic Book Galaxy review of "Gunned Down"</title><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.newsarama.com/forums/showthread.php?s=be85feea3a430db952fc5d822ab9d6a7&amp;threadid=39634"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://carlbrandon.org/blog/uploaded_images/gunned-748905.jpg" border="0" alt="" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Gunned Down is an anthology of ten Western short stories illustrated by Brazilian artists, published by Shane Amaya’s &lt;a href="http://www.terramajor.com"&gt;Terra Major Imprint.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;From &lt;a href="http://72.14.207.104/search?q=cache:dIv5TZ2-tV4J:comicbookgalaxy.com/archives/92+%22jim+witt%22+gunned+down&amp;hl=en&amp;gl=ca&amp;ct=clnk&amp;cd=1"&gt;Jim Witt's review of Gunned Down&lt;/a&gt;:&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;The anthology’s strongest stories are also two of its longest - Stagecoach Mary by Pam Noles and Bruno D’Angelo, and Indian Face by Shane Amaya and Gabriel Ba. These two stories alone make this collection worthwhile; despite the shortcomings of several of the other stories included, these standouts make Gunned Down well worth the price of admission.&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.newsarama.com/forums/showthread.php?s=be85feea3a430db952fc5d822ab9d6a7&amp;threadid=39634"&gt;Shane Amaya on "Gunned Down."&lt;/a&gt;</description><link>http://carlbrandon.org/blog/2006/06/comic-book-galaxy-review-of-gunned.html</link><author>noreply@blogger.com (Nalo)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18923873.post-114991626630611499</guid><pubDate>Sat, 10 Jun 2006 04:46:00 +0000</pubDate><atom:updated>2006-06-09T22:11:06.323-07:00</atom:updated><title>Photos from East Coast Black Age of Comics Convention</title><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.ecbacc.com/"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://carlbrandon.org/blog/uploaded_images/ecbacc-742491.jpg" border="0" alt="" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Thanks to &lt;a href="http://andweshallmarch.typepad.com/and_we_shall_march/"&gt;Black. Geek. And Fine With That&lt;/a&gt; for the pointer to &lt;a href="http://photoshow.comcast.net/mutate20/comics"&gt;photos taken at the recent ECBACC&lt;/a&gt; &lt;a href="http://www.ecbacc.com/"&gt;(East Coast Black Age of Comics Convention)&lt;/a&gt;.</description><link>http://carlbrandon.org/blog/2006/06/photos-from-east-coast-black-age-of.html</link><author>noreply@blogger.com (Nalo)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18923873.post-114951450819177922</guid><pubDate>Mon, 05 Jun 2006 13:30:00 +0000</pubDate><atom:updated>2006-06-05T06:39:48.093-07:00</atom:updated><title>Sold-out New York tribute to Octavia E. Butler today</title><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://carlbrandon.org/blog/uploaded_images/octaviapic-770588.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://carlbrandon.org/blog/uploaded_images/octaviapic-762531.jpg" border="0" alt="" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.nypl.org/research/chss/pep/pepdesc.cfm?id=2132"&gt;&lt;strong&gt;New York tribute to Octavia E. Butler today&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Monday, June 5, 2006&lt;br /&gt;at 7:00 PM&lt;br /&gt;Bruno Walter Auditorium at the Library for the Performing Arts. 111 Amsterdam Avenue, between 64th and 65th St&lt;br /&gt;&lt;br /&gt;Seats are no longer available.&lt;br /&gt;&lt;br /&gt;Writers and friends of Octavia E. Butler, who died in February, 2006, will gather to pay tribute to this internationally known science fiction writer whose evocative, often troubling, novels explore far-reaching issues of race, sex, power and, ultimately, what it means to be human. Publisher Dan Simon, actor Avery Brooks, publisher and editor Max Rodriguez, writer Harlan Ellison, Professor Sandra Govan, literary agent Merrilee Heifetz, poet Sonia Sanchez, writer Samuel R. Delany and special musical guests will honor Ms. Butler with reminiscence, music and readings from her work.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;This event is co-sponsored by Seven Stories Press&lt;br /&gt;&lt;br /&gt;About Octavia E. Butler&lt;br /&gt;&lt;br /&gt;Octavia E. Butler is the author of eleven novels, including Kindred, Dawn, Parable of the Sower, and, most recently, Fledgling (2005), and one collection of short fiction, Bloodchild. Butler received a MacArthur Foundation "genius" grant, science fiction's highest honors--the Nebula Award and the Hugo Award--and numerous other literary awards.&lt;br /&gt;&lt;br /&gt;According to her New York Times obituary, throughout Ms. Butler's career, the news media made much of the fact that she was an African-American woman writing science fiction, traditionally a white male bastion. But in interviews and in her work itself she left no doubt that her background equipped her spectacularly well to portray life in hostile dystopias where the odds of survival can be almost insurmountable. "I'm black, I'm solitary, I've always been an outsider," The Los Angeles Times quoted Ms. Butler as saying in 1998. Set in time periods ranging from the historical past to the distant future, Ms. Butler's books were known for their controlled economy of language and for their strong, believable protagonists, many of them black women. One of Ms. Butler's best-known novels, Kindred, told the story of a modern-day black woman who must travel back to the antebellum South to save the life of a white, slaveholding ancestor and, in so doing, save her own. Frequently assigned in black-studies courses, the book was rooted in the experience of the author's mother, who worked as a maid. "I didn't like seeing her go through back doors," Ms. Butler once told Publishers Weekly. "If my mother hadn't put up with all those humiliations, I wouldn't have eaten very well or lived very comfortably. So I wanted to write a novel that would make others feel the history: the pain and fear that black people have had to live through in order to endure." In an interview with The New York Times, Ms. Butler explained the deep appropriateness of her chosen genre as a vehicle for social commentary. "We are a naturally hierarchical species," she said. "When I say these things in my novels, sure I make up the aliens and all of that, but I don't make up the essential human character."&lt;br /&gt;&lt;br /&gt;About Dan Simon&lt;br /&gt;&lt;br /&gt;Simon is publisher of Seven Stories Press, Octavia's publisher for over 10 years.&lt;br /&gt;&lt;br /&gt;About Avery Brooks&lt;br /&gt;&lt;br /&gt;Brooks is the actor perhaps best known as Cmdr. Benjamin Lafayette Sisko on Star Trek: Deep Space Nine.&lt;br /&gt;&lt;br /&gt;About Max Rodriquez&lt;br /&gt;&lt;br /&gt;Rodriguez is editor of QBR: The Black Book Review, and one of the last people to interview Octavia.&lt;br /&gt;&lt;br /&gt;About Harlan Ellison&lt;br /&gt;&lt;br /&gt;Harlan Ellison, a science fiction writer, was Octavia's first teacher at Clarion writing workshop and was a great champion of her work. He will be reading by remote.&lt;br /&gt;&lt;br /&gt;About Sandra Govan&lt;br /&gt;&lt;br /&gt;Govan is a professor of English at the University of North Carolina, Charlotte, with a specialty in American and African American literatures.&lt;br /&gt;&lt;br /&gt;About Merrilee Heiftz&lt;br /&gt;&lt;br /&gt;Heifetz is Octavia's longtime literary agent and executor of her literary estate.&lt;br /&gt;&lt;br /&gt;About Sonia Sanchez&lt;br /&gt;&lt;br /&gt;Sanchez is author of more than a dozen books of poetry, plays, and winner of several awards including those from the NEA, and a Pew Fellowship.&lt;br /&gt;&lt;br /&gt;About Samuel R. Delany&lt;br /&gt;&lt;br /&gt;Samuel R. Delany is an award-winning science fiction writer whose books include the novels Nova and Dhalgren, and the Hugo-award-winning autobiography, The Motion of Light in Water and, most recently, About Writing.&lt;br /&gt;&lt;br /&gt;All LIVE from the NYPL events are general admission. Arrive early for best seat selection. Box office opens 2 hours before the event and doors open 45 minutes before the event. Management reserves the right to refuse admission to latecomers.</description><link>http://carlbrandon.org/blog/2006/06/sold-out-new-york-tribute-to-octavia-e.html</link><author>noreply@blogger.com (Nalo)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18923873.post-114935037225523202</guid><pubDate>Sat, 03 Jun 2006 15:48:00 +0000</pubDate><atom:updated>2006-06-03T08:59:32.690-07:00</atom:updated><title>Asian Pop / Look!  Up In the Sky!  It's Asian Man!</title><description>(Thank you to &lt;a href="http://sanmiguelmalo.livejournal.com/"&gt;sanmiguelmalo&lt;/a&gt; for the pointer to this article.)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.sfgate.com/cgi-bin/article.cgi?f=/gate/archive/2006/06/01/apop.DTL"&gt;By Jeff Yang, Special to SF Gate&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;Diversifying the ranks of superheroes isn't just about pop-cultural social justice -- it's about providing minority kids with a narrative around which to shape their identities and build a sense of self-worth, even if they feel excluded, different or disconnected.&lt;/blockquote&gt;</description><link>http://carlbrandon.org/blog/2006/06/asian-pop-look-up-in-sky-its-asian-man.html</link><author>noreply@blogger.com (Nalo)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18923873.post-114934722521054694</guid><pubDate>Sat, 03 Jun 2006 15:05:00 +0000</pubDate><atom:updated>2006-06-03T08:07:05.226-07:00</atom:updated><title>Blogosphere discussions on cultural appropriation panel at Wiscon 30</title><description>The panel that began the discussion:&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;WisCon Saturday:&lt;br /&gt;Cultural Appropriation and Writing Fantasy Outside Western Tradition&lt;br /&gt;&lt;br /&gt;    Not all fantasy fiction is, or indeed should, came from faery, from Middle Earth, from Tolkien or from other Western European traditions. Not everything should be pseudo-medieval in nature, and it seems that more and more fantasy authors are drawing upon other cultural frameworks in fashioning their fictions. Yet, that comes with its own issues, such as cultural appropriation. A discussion of the embrace of neglected mythoi, and the pitfalls that may await the adventurous traveler there.&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://yhlee.livejournal.com/"&gt;yhlee&lt;/a&gt;, one of the panelists, posts &lt;a href="http://community.livejournal.com/deadbrowalking/104514.html"&gt;some thoughts on how it went&lt;/a&gt;.  (This is the post as replicated at &lt;a href="http://community.livejournal.com/deadbrowalking/"&gt;deadbrowalking&lt;/a&gt;, aka The People of Color Deathwatch; a Live Journal community.) An excerpt:&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;b&gt;- When intent isn't good enough.&lt;/b&gt;&lt;br /&gt;You can't judge intent from within the pages of the book, although I suppose you can guess. You can go into your writing with the intent of an angel and still emerge with subconscious racism or sexism or any other -ism. Or hell, what's just plain a bad book. (I'll spare you the examples.) I'm not arguing that it's a bad thing to go into writing about another culture mindfully; I think it should be done more often. But it seems (as we say in math) necessary-but-not-sufficient.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;- Minority writers.&lt;/b&gt; &lt;br /&gt;No one self-identifies as a "majority writer." That's a problem right there.&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://community.livejournal.com/wiscon/"&gt;The Wiscon Live Journal community&lt;/a&gt; has &lt;a href="http://community.livejournal.com/wiscon/56651.html"&gt;a summary of some of the posts on the topic.&lt;/a&gt;</description><link>http://carlbrandon.org/blog/2006/06/blogosphere-discussions-on-cultural.html</link><author>noreply@blogger.com (Nalo)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18923873.post-114835302704309709</guid><pubDate>Tue, 23 May 2006 02:53:00 +0000</pubDate><atom:updated>2006-05-22T19:57:07.056-07:00</atom:updated><title>imagineNATIVE Call for Submissions for Film &amp; video, Radio, and New Media</title><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://carlbrandon.org/blog/uploaded_images/imagineNATIVE-768971.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://carlbrandon.org/blog/uploaded_images/imagineNATIVE-766797.jpg" border="0" alt="" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Call for Submissions for Film &amp; video, Radio, and New Media Deadline June 1st, 2006&lt;br /&gt;&lt;br /&gt;The &lt;a href="http://www.imagineNATIVE.org"&gt;&lt;br /&gt;imagineNATIVE Film + Media Arts Festival&lt;/a&gt; is an international festival that celebrates the latest works by Indigenous peoples on the forefront of innovation in film, video, radio, and new media. Each fall, the festival presents a  selection of the most compelling, distinctive Indigenous works from around the globe. The festival's screenings, parties, panel discussions, and cultural events attract and connect filmmakers,  media artists, programmers, buyers, and industry professionals. The works accepted reflect the diversity of the world's Indigenous nations and illustrate the vitality and excellence of  our art and culture in contemporary media.    &lt;br /&gt;&lt;br /&gt;imagineNATIVE considers film, video, radio and new media works made by Canadian and international Indigenous artists. The festival strives to represent a  diversity of ideas, themes and genres in its programming. The festival prioritizes works that balance unique content, cultural and social relevance, and a creative approach to form characterized by innovative expression, distinctive style, and personal vision. Priority is given to works that have not yet been broadcast in Canada. International and Canadian premiere status is also a consideration. imagineNATIVE charges no submission fees.  &lt;br /&gt;&lt;br /&gt;All entries selected for the festival are eligible for awards. Awards presented in 2005 were as follows:   $1000 Alanis Obomsawin Award for Best Documentary,  Sponsored by the NFB; $1000 Best Dramatic Feature, Sponsored by CHUM TV; $1000 Cynthia Lickers-Sage Award for Emerging Talent, Sponsored by Vtape; $1000 Best Radio, Sponsored by Standard Radio Broadcasting; $1000 Best New Media, Sponsored by Vtape;  $500 Best Short Documentary, Sponsored by CBC; $500 Best Short Drama, Sponsored by CBC; $500 Best Experimental, Sponsored by the Images Festival; $500 Best Music Video, Sponsored by imagineNATIVE.&lt;br /&gt;&lt;br /&gt;Submission forms for film &amp; video, radio, and new media are available for download from &lt;a href="http://www.imagineNATIVE.org"&gt;&lt;br /&gt;the imagineNATIVE website.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;imagineNATIVE is held in Toronto – this year’s dates are October 18-22, 2006&lt;br /&gt;&lt;br /&gt;-- &lt;br /&gt;&lt;a href="http://www.imagineNATIVE.org"&gt;&lt;br /&gt;imagineNATIVE Film + Media Arts Festival&lt;/a&gt;</description><link>http://carlbrandon.org/blog/2006/05/imaginenative-call-for-submissions-for.html</link><author>noreply@blogger.com (Nalo)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-18923873.post-114791396147203592</guid><pubDate>Wed, 17 May 2006 23:00:00 +0000</pubDate><atom:updated>2006-06-01T22:03:32.983-07:00</atom:updated><title>WINNERS OF FIRST CARL BRANDON SOCIETY AWARDS ANNOUNCED</title><description>FOR IMMEDIATE RELEASE                                 &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;CONTACT: Pam Noles&lt;/span&gt;&lt;br /&gt;&lt;A HREF="mailto:awardadmin&amp;#64;carlbrandon.org"&gt;Contact Us&lt;/A&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;May 17, 2006                                                  &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;WINNERS OF FIRST CARL BRANDON SOCIETY AWARDS ANNOUNCED&lt;br /&gt;&lt;br /&gt;Awards ceremony Sunday, May 28, 8:45 p.m. at WisCon 30, Madison, WI, USA&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;Madison, WI -- &lt;strong&gt;&lt;a href="http://www.twbookmark.com/features/waltermosley/"&gt;Walter Mosley&lt;/a&gt;&lt;/strong&gt; and &lt;strong&gt;&lt;a href="http://www.susanvaught.com/"&gt;Susan Vaught&lt;/a&gt;&lt;/strong&gt; are winners of the debut awards from the &lt;a href="http://www.carlbrandon.org/"&gt;Carl Brandon Society&lt;/a&gt; recognizing excellence and diversity in speculative fiction. Each winner will receive $1,000 and a trophy at a ceremony held at &lt;a href="http://www.wiscon.info/"&gt;WisCon 30&lt;/a&gt; in Madison, WI.&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;Mosley is awarded the &lt;a href="http://www.carlbrandon.org/awards.html"&gt;Carl Brandon Parallax Award&lt;/a&gt; for his young adult novel, &lt;a href="http://www.twbookmark.com/features/waltermosley/47.html"&gt;47&lt;/a&gt;. The jury deemed this "a powerful, moving work appropriate for young adult readers and yet a good read for adults" with writing that "shows beauty in the depiction of people of great courage, character and creativity in the midst of impossible circumstances."&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Vaught is awarded the &lt;a href="http://www.carlbrandon.org/awards.html"&gt;Carl Brandon Kindred Award&lt;/a&gt; for her yhttp://www.blogger.com/img/gl.link.gifoung adult novel, &lt;a href="http://www.amazon.com/gp/product/1582349525/sr=8-1/qid=1147914124/ref=pd_bbs_1/102-3220145-1135313?%5Fencoding=UTF8"&gt;Stormwitch&lt;/a&gt;, praised by a juror as "a fine work ... written as a young adult novel, it works for adults as well."&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;The CBS Parallax Award recognizes works of speculative fiction created by people of color. The CBS Kindred Award recognizes works of speculative fiction dealing with issues of race and ethnicity; CBS Kindred Award writers may be of any ethnic group.&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;CBS Parallax award jurors were &lt;a href="http://www.sfcanada.ca/archive.htm"&gt;Celu Amberstone&lt;/a&gt;, &lt;a href="http://darkush.blogspot.com/"&gt;Steven Barnes&lt;/a&gt;, &lt;a href="http://www.strangehorizons.com/2002/20020603/lowachee.shtml"&gt;Karin Lowachee&lt;/a&gt;, &lt;a href="http://grove.ufl.edu/~hardman/"&gt;MJ Hardman&lt;/a&gt;, and http://www.jenniferstevenson.com/. CBS Kindred award jurors were &lt;a href="http://www.jewellegomez.com/"&gt;Jewelle Gomez&lt;/a&gt;, &lt;a href="http://www.bastards.org/bq/forever.htm"&gt;Ian K. Hagemann&lt;/a&gt;, &lt;a href="http://www.ursulakleguin.com/"&gt;Ursula K. Le Guin&lt;/a&gt;, &lt;a href="http://www.strangehorizons.com/2005/20050815/notkin-c.shtml"&gt;Debbie Notkin&lt;/a&gt; and &lt;a href="http://www.ceciliatan.com/"&gt;Cecilia Tan&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Each jury also released a shortlist of recommended works; juror commentary for each is below. (Complete short and long lists will be available at &lt;a href="http://www.carlbrandon.org"&gt;the CBS website&lt;/a&gt;).&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;Carl Brandon Society Parallax Award Shortlist&lt;br /&gt;&lt;br /&gt;*      Banker, Ashok , Prince of Ayodhya (Penguin India)&lt;br /&gt;&lt;br /&gt;*      Buckell, Tobias , Toy Planes (Nature, Oct. 13, 2005)&lt;br /&gt;&lt;br /&gt;*      Butler, Octavia E. , Fledgling (Seven Stories Press)&lt;br /&gt;&lt;br /&gt;*      Chaponda, Daliso , Trees of Bone (Apex Science Fiction and Horror Digest, #3)&lt;br /&gt;&lt;br /&gt;*      Douglas, Marcia , Marie-Ma (Femspec, Vol. 6, #1)&lt;br /&gt;&lt;br /&gt;*      Goto, Hiromi, Nostalgia. (Nature, Sept. 1, 2005)&lt;br /&gt;&lt;br /&gt;*      Jemisin, N.K., Cloud Dragon Skies (Strange Horizons, Aug. 1, 2005)&lt;br /&gt;&lt;br /&gt;*      Jennings, A.H., Owasa (Farthing, July, 2005)&lt;br /&gt;&lt;br /&gt;*      Johnson, Alaya Dawn . Shard of Glass (Strange Horizons, Feb. 14, 2005)&lt;br /&gt;&lt;br /&gt;*      Khan, Ahmed, The Meaning of Life and Other Clichés (Another Realm, March, 2005)&lt;br /&gt;&lt;br /&gt;*      Nyoka, Gail,   Mella and the N'anga: An African Tale (Sumach Press)&lt;br /&gt;&lt;br /&gt;*      Okorafor-Mbachu, Nnedimma , Zahrah the Windseeker. (Houghton Mifflin)&lt;br /&gt;&lt;br /&gt;*      Shawl, Nisi, Wallamelon (Aeon Magazine, #3)&lt;br /&gt;&lt;br /&gt;*      Singh, Vandana, The Tetrahedron. (Intranova, March 15, 2005)&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;Carl Brandon Society Kindred Award Shortlist&lt;br /&gt;&lt;br /&gt;*      Buckell, Tobias, Toy Planes (Nature, Oct. 13, 2005)&lt;br /&gt;&lt;br /&gt;*      Butler, Octavia E. , Fledgling ((Seven Stories Press)&lt;br /&gt;&lt;br /&gt;*      Chaponda, Daliso , Trees of Bone (Apex Science Fiction and Horror Digest, #3)&lt;br /&gt;&lt;br /&gt;*      Gilks, Marg, Before the Altar on The Feast of All Souls (Tesseracts 9)&lt;br /&gt;&lt;br /&gt;*      Mosley, Walter, 47 (Little, Brown)&lt;br /&gt;&lt;br /&gt;*      Okorafor-Mbachu, Nnedimma, Zahrah the Windseeker (Houghton Mifflin )&lt;br /&gt;&lt;br /&gt;*      Williams, Liz, La Gran Muerte (Asimov's Science Fiction, April 2005)&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;The Carl Brandon Society began in 1997 at WisCon 23 as an informal gathering of people dedicated to addressing the representation of people of color in speculative fiction. It is named after the fictional black fan "Carl Brandon, Jr.," who was created in the mid-1950s by Terry Carr and Peter Graham, just as the Tiptree Award is named after writer Alice Sheldon's pseudonym "James Tiptree, Jr." Much as Alice Sheldon played with concepts of gender in her writing as Tiptree, so did Carr and Graham challenge concepts of race when writing as Brandon.&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;Among its activities, the society administers the Octavia E. Butler Memorial Scholarship Fund, which enables writers of color to attend one of the Clarion writing workshops where the acclaimed writer got her start.&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;As speculative fiction increases in diversity, the Carl Brandon Society will work to raise awareness of issues of race, ethnicity and culture within this genre we all love, fostering a needed dialog.&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;We have many ways for you to become directly involved, and our membership is open to all ethnicities. Visit &lt;a href="http://www.carlbrandon.org/"&gt;our website&lt;/a&gt; for more information.&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;-- &lt;br /&gt;&lt;br /&gt;Awards Administrator&lt;br /&gt;&lt;a href="http://www.carlbrandon.org/"&gt;Carl Brandon Society&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;==============================&lt;br /&gt;&lt;br /&gt;Selected jurors' comments on the winning and shortlisted titles (the full text of shortlist comments as well as the long lists will be posted on the &lt;a href="http://www.carlbrandon.org/"&gt;Carl Brandon Society website&lt;/a&gt;.):&lt;br /&gt;&lt;br /&gt;PARALLAX AWARD FINALISTS * PARALLAX AWARD FINALISTS&lt;br /&gt;&lt;br /&gt;WINNER&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style:italic;"&gt;47&lt;/span&gt;, by &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Walter Mosley&lt;/span&gt;. (Little, Brown)&lt;br /&gt;A powerful, moving work appropriate for young adult readers and yet a good read for adults.  It is unflinching in its portrayal of slavery in the American south.  A young slave boy narrates this electrifying account of how he met one of  the mightiest heroes of African-American legend, High John the Conqueror, who is much more than he appears to be, and the marvelous and terrible changes John wrought on a life so downtrodden that he has no name, only a number.  The writing shows beauty in the depiction of people of great courage, character and creativity in the midst of impossible circumstances. – JKS &lt;br /&gt;&lt;br /&gt;SHORT LIST &lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Banker, Ashok&lt;/span&gt;, &lt;span style="font-style:italic;"&gt;Prince of Ayodhya&lt;/span&gt; (Penguin India) The is an Indian epic of awe-inspiring antiquity and complexity.  Every thousand years or so someone updates it for contemporary readers.  Banker's Ramayana, a five volume series, is a perfect fit with our era's high fantasy genre.  Powerful, emotional, fast-moving, many-layered, a cultural trip, a roller-coaster ride. – JKS &lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Buckell, Tobias&lt;/span&gt;, &lt;span style="font-style:italic;"&gt;Toy Planes&lt;/span&gt; (Nature, Oct. 13, 2005) This story is told with an economy of words and yet manages to give the reader a strong impression of island life and the compromises made by many minority people, to maintain both personal and cultural identity in the larger world outside their own communities. the story also speaks to the economic survival of poorer countries in a world dominated by rich corporations and large nations. – CA &lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Butler, Octavia E.&lt;/span&gt;, &lt;span style="font-style:italic;"&gt;Fledgling&lt;/span&gt; (Seven Stories Press). Octavia Butler’s final novel is a meditation on social and sexual vampirism, viewed through the lens of a 53 year old “juvenile” blood-sucker named Shori.  Mature, frightening, and thought-provoking, FLEDGLING simply isn’t like any other vampire story ever written, and a fitting cap to a spectacular—if tragically truncated—career. – SB &lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Chaponda, Daliso&lt;/span&gt;, &lt;span style="font-style:italic;"&gt;Trees of Bone&lt;/span&gt; (Apex Science Fiction and Horror Digest, Issue #3) Spares no one in a rock-plus-hard-place account of hatred, history, cultural transmission, and the price of peace.  Set in an African landscape between country and town, past and present, old ways and new ways, this story grants dignity and yet tragedy to an elderly healer and his young apprentice in a time of social turmoil. – JKS &lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Douglas, Marcia&lt;/span&gt;, &lt;span style="font-style:italic;"&gt;Marie-Ma&lt;/span&gt;. (Femspec, Vol. 6, Issue #1).  A chorus of voices imbues this spare but beautifully written story, casting a harmonic note to the narrative about a rather strange neighbor, a family's preconceptions, and a little girl's curiosity. Each uniquely drawn character, different ages from a young daughter to her mother to the odd and exquisite Marie-Ma herself, gives life to the observation and eventual interaction with an unexplainable magic that surrounds each of them in different and unexpected ways. – KL &lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Goto, Hiromi&lt;/span&gt;, &lt;span style="font-style:italic;"&gt;Nostalgia&lt;/span&gt;. (Nature, Sept. 1, 2005) A very short dense take on futuristic biology and the culture thereby associated and all about the Brontës. – MJH &lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Jemisin, N.K.&lt;/span&gt;, &lt;span style="font-style:italic;"&gt;Cloud Dragon Skies&lt;/span&gt; (Strange Horizons, Aug. 1, 2005) A poetic portrayal from the point of view of Nahautu. Her pristine world with her family is benignly invaded by scientists whose decision to intervene with the cloud dragons of her world wreak unexpected consequences -- especially for her as the daughter of the one man whose opposition to the help goes unheeded. Jemison's deft handling of the protagonist's voice and her inner conflicts perfectly filter the larger issues of technology vs. natural order, and the consequences of humanity's choices in this battle. Though dealing with broader concepts, the story never loses sight of the personal struggle and ramifications on an individual level, and provides a beautifully wrought conclusion to the dilemma with a melancholic weight that truly gives life to this unique character. – KL &lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Jennings, A.H.&lt;/span&gt;, &lt;span style="font-style:italic;"&gt;Owasa&lt;/span&gt;. (Farthing, July, 2005) A suspenseful tale that keeps you guessing about the ramifications and meaning of the characters' actions until the very end, and the ending itself provides an iron anchor to the rest of the narrative. The language is beautiful throughout, while in parts is contrasted sharply by a frank, almost blunt voice. Gods and humanity are tackled in this story, and the conflict is very much worthwhile. – KL &lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Johnson, Alaya Dawn&lt;/span&gt;, &lt;span style="font-style:italic;"&gt;Shard of Glass&lt;/span&gt;. (Strange Horizons, Feb. 14, 2005) This well-written story intensely illustrates a political struggle turned personal for a black woman who flees her white lover across the world, taking their child and a magical shard of glass. – JS &lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Khan, Ahmed&lt;/span&gt;, &lt;span style="font-style:italic;"&gt;The Meaning of Life and Other Cliches&lt;/span&gt; (Another Realm, March, 2005) A dialogue between two stranded spacers coping with memories, watching maybe sentient will-o-the-wisps, telling a whole story sparsely.  Lovely writing, close to poetry. – MJH &lt;br /&gt;&lt;br /&gt;Nyoka, Gail&lt;/span&gt;,  &lt;span style="font-style:italic;"&gt;Mella and the N'anga: An African Tale&lt;/span&gt;. (Sumach Press) A perfect young adult novel, a well-crafted story of a princess on a quest to save her father's kingdom. In the process, the story of her encounter with the N'anga becomes a fierce tale of female empowerment, wrapped in sweet, simple prose. – MJH&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Okorafor-Mbachu, Nnedimma&lt;/span&gt;, &lt;span style="font-style:italic;"&gt;Zahrah the Windseeker&lt;/span&gt;. (Houghton Mifflin) Zarah is a girl of unique appearance and special abilities that set her apart from friends and family, and this difference  troubles her. When her best friend becomes ill after an exploring trip to the forbidden jungle goes awry, she is determined to return to the jungle to bring back a cure for her dying friend. along the way she has many adventures, and meets many interesting friends. This delightful story is the kind of book I wish had been around when I was about ten or eleven. I am very glad it is here to share with my granddaughter. – CA &lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Shawl, Nisi&lt;/span&gt;, &lt;span style="font-style:italic;"&gt;Wallamelon&lt;/span&gt; (Aeon Magazine, Issue #3) This is a tale in which magic and the traditions of Voudun play an important part in a young girl's becoming an adult. the story also explores the challenge of how to maintain the worship of ancient gods, and a childhood wonder for magic and nature, in a world beset by poverty and urban violence." – CA  &lt;span style="font-style:italic;"&gt;(NOTE: Since Shawl is currently active on the board of the Carl Brandon Society, her work cannot receive a CBS award.  But the jury felt that "Wallamelon" merited being on the Recommended Reading list.)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Singh, Vandana&lt;/span&gt;, &lt;span style="font-style:italic;"&gt;The Tetrahedron&lt;/span&gt;. (Intranova, March 15, 2005) When a large mysterious object suddenly appears in the middle of a street in New Delhi, India, all the world's scientists flock to study the occurrence. The implacable tetrahedron gives little answers, though, save for young university student Maya, who finds herself  drawn to the strange shape and questioning her own assumptions about duty, choice, and what it means to be the mystery in one's own life. A sensitive and smart portrayal of the doubts and desires of one modern woman conflicted between the assumptions of the past and the possibilities of the future. Family life in current-day India is engagingly portrayed through the point of view of an intelligent and compassionate protagonist, giving a glimpse into this unique culture (sometimes with a gentle humor) while successfully weaving speculative elements to highlight Maya's personal struggle. – KL &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;KINDRED AWARD FINALISTS * KINDRED AWARD FINALISTS&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;WINNER&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Stormwitch&lt;/span&gt;, by &lt;span style="font-style:italic;"&gt;Susan Vaught&lt;/span&gt; (Bloomsbury USA Children's Books) A fine work about a young black woman's journey from the egalitarian Caribbean to the segregated American South.  Along the way, she learns about the reasons to "keep her head down" and steps into her own power as a magician and as a woman.  Written as a young adult novel, it works for adults as well. – IKH&lt;br /&gt;&lt;br /&gt;SHORT LIST&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Buckell, Tobias&lt;/span&gt;, &lt;span style="font-style:italic;"&gt;Toy Planes&lt;/span&gt; (Nature, Oct. 13, 2005). One-page stories with so much substance are very rare.  This is beautifully done. – UKL &lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Butler, Octavia E.&lt;/span&gt;, &lt;span style="font-style:italic;"&gt;Fledgling&lt;/span&gt; (Seven Stories Press). &lt;span style="font-style:italic;"&gt;It is impossible to comment on this book without taking at least a moment to mourn the loss of one of the deftest, most perceptive, and most complex science fiction and fantasy writers of all time.  Her voice will be missed forever.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;One of the most direct treatments of racism I've ever seen in a book, and Butler uses the fact that it is science fiction to make the metaphors and parallels all the more clear and to put her message across. The battle is between those with racist attitudes and the forward-thinkers, and the forward-thinkers win. … Butler has taken the traditional Eastern European vampire myth and turned it into a modern science fiction thriller that also stands as an examination of racism and the evils of "racial purity." The writing style is spare and clean, with tight prose which borders on Hemingway-esque. She reveals the answers to the mystery skillfully and the characterizations are realistic and humanistic. -- CT&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Chaponda, Daliso&lt;/span&gt;, &lt;span style="font-style:italic;"&gt;Trees of Bone&lt;/span&gt; (Apex Science Fiction and Horror Digest, #3). A very moving allegory about post-traumatic stress disorder brought on by racism which was set in Africa.  It also has some interesting things to say about living with one's oppressors and living with oneself. -- IKH&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Gilks, Marg&lt;/span&gt;, &lt;span style="font-style:italic;"&gt;Before the Altar on The Feast of All Souls&lt;/span&gt; (Tesseracts 9). My favorite short story of all we read. Done with a wonderfully light hand.  Most of the people in this story are dead, which is what is so neat about it. – UKL &lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Mosley, Walter&lt;/span&gt;, &lt;span style="font-style:italic;"&gt;47&lt;/span&gt; (Little, Brown). Whenever a slave narrative is moving, evocative, and thoughtful without being sentimental or simplistic, it’s worth honoring. 47 is a fine example.  -- DLN&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Okorafor-Mbachu, Nnedimma&lt;/span&gt;,  &lt;span style="font-style:italic;"&gt;Zahrah the Windseeker&lt;/span&gt; (Houghton Mifflin). Generally hailed by the jury as one of the most entertaining books we read; a young-adult novel with a great deal to recommend to all ages. The author has a special skill at conveying a full sensory experience: and her characters have some remarkable sensory experiences! -- DLN&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Williams, Liz&lt;/span&gt;, &lt;span style="font-style:italic;"&gt;La Gran Muerte&lt;/span&gt;  (Asimov’s Science Fiction April 2005) Beautifully and painfully written, and flows with wonderful ideas and images. -- JG</description><link>http://carlbrandon.org/blog/2006/05/winners-of-first-carl-brandon-society.html</link><author>noreply@blogger.com (Nalo)</author></item></channel></rss>