From Sci-Fi Slacker:
ASIA EXTREME … has begun releasing a great collection of Asian horror in the USA. Here is a listing of some of the recent releases plus reviews of many of the films.
From Sci-Fi Slacker:
ASIA EXTREME … has begun releasing a great collection of Asian horror in the USA. Here is a listing of some of the recent releases plus reviews of many of the films.
for a symbol, a nime, phenomenological psychopomp that can encapsulate everyone from Octavia Butler to Alice Coltrane and still leaves room for the unborn un-reality makers who perform in the void that we all coalesce from; A banner that those geeks of African descent who can quote Deep Space Nine can join under; A standard by which those Samuel Delany junkies who bump Outkast can stand by; A flag black comic book readers can wave to distinguish themselves with; A sign posted on the doors of houses where little nappy headed children are educated about orishas, griots, the symbology of the dollar bill, while given sonic guided tours of John Coltrane’s Interstellar space
Excerpt:
Science fiction and fantasy are often accused of being escapist, trivial, and mindless, portraying bug-eyed alien monsters, scantily clad women, spaceships and bizarre other worlds, while Real Literature concerns itself with humanity’s true problems, the struggles of the Self to become whole in a hostile world and so on. Often the movies and books of science fiction and fantasy are in fact frothy and shallow. But I have recently read a book by Ursula K. Le Guin called “The Telling” that concerns itself with the dominance of a space-faring culture over one that it just beginning to take its technological first steps. It is about cultural survival and personal freedom under totalitarian rule. It is about self-imposed cultural censorship. It is about colonialism of the mind. Nothing to do with the real world, eh?