Culture Crash: Afrofuturism Interprets, Appropriates and Riffs On Technology, Culture and Racial Fear

SPACES mounts the first exhibition in Ohio to explore the idea of Afrofuturism, the subculture that deals with the interplay between time, technology, race and culture in the USA. Seventeen artists, from both historical and future viewpoints, tackle the impact of technology on the physical, social and spiritual lives of black people.

Thanks, Sheree, for the pointer to this review this review by Lyz Bly.

The current exhibition at SPACES — Afrofuturism — attempts to address the ways African-American artists interpret and appropriate technology, literary fiction and electronic music, as well as images from the mass media and popular culture. There are nods to science fiction and the phantasmagoric in the exhibition as well. What is at the heart of Afrofuturism, however, is the acknowledgment of a history that continues to shape the present and the future; clearly, “black to the future” is, and always will be, steeped in the past.

Mindscape by Andrea Hairston

MINDSCAPE, a first novel by Andrea Hairston, is out from Aqueduct Press.

Book Description
Mindscape takes us to a future in which the world itself has been literally divided by the Barrier, a phenomenon that will not be ignored. For 115 years this extraterrestrial, epi-dimensional entity has divided the earth into warring zones. Although a treaty to end the interzonal wars has been hammered out, power-hungry politicians, gangsters, and spiritual fundamentalists are determined to thwart it. Celestina, the treaty’s architect, is assassinated, and her protegée, Elleni, a talented renegade and one of the few able to negotiate the Barrier, takes up her mantle. Now Elleni and a motley crew of allies risk their lives to make the treaty work. Can they repair their fractured world before the Barrier devours them completely?

“What rich and provocative territory this amazingly written first novel explores, what memorable characters it compels us to confront—renegade gene scientists and ethnic throwbacks, slippery politicos and “expendable” Extras, ghost dancers and double consciousness diviners conjuring through an enigmatic veil—each struggling in complex circumstances to navigate survival, identity, and self in a world thrown off its course, each speaking in distinct voices that stay with you long after you’ve left their unforgettable stories. Science fiction at its best, Andrea Hairston’s Mindscape makes you want to cuss and shout for joy—its vision, raw humanity, and ultimate hopefulness are exhilarating. What a pleasure it is to be invited into a world so large and muscular, so sensual and rooted in global history, a world in which not only the future but the past is at stake.”
—Sheree Renée Thomas, Dark Matter: A Century of Speculative Fiction and Dark Matter: Reading the Bones, winner of the 2001 and 2005 World Fantasy Awards

Andrea Hairston is a Professor of Theater and Afro-American Studies at Smith College, as well as the Artistic Director of Chrysalis Theatre. Her plays have been produced at Yale Rep, Rites and Reason, the Kennedy Center, Stage West, and on Public Radio and Television. She has received many awards for her writing and directing, including an NEA Grant to Playwrights, a Ford Foundation grant to collaborate with Senegalese Master Drummer Massamba Diop, and a Shubert Fellowship for Playwrighting. She is currently at work on a new novel, for which she received the 2004 Speculative Literature Foundation’s Older Writer Grant. Mindscape is her first novel.

Writing Speculative Fiction: Roosevelt University Summer Course

In this class, students will write either short or novel-length
speculative fiction. Speculative fiction is a catch-all term meant to
inclusively span the breadth of fantastic fiction, encompassing fiction
ranging from hard science fiction to epic fantasy to ghost stories to
horror to folk and fairy tales to slipstream to magical realism to modern
myth-making and more — any fiction containing a fabulist or speculative
element would be appropriate material for this course.

Instructor: Mary Anne Mohanraj (http://www.mamohanraj.com). Professor
Mohanraj is the Director of the Speculative Literature Foundation, and
founder and past editor-in-chief of Strange Horizons, a Hugo-nominated
online magazine (http://www.strangehorizons.com). She is also the author
of Bodies in Motion (HarperCollins 2005), editor of several print
anthologies, and recipient of an Illinois Arts Council Award.

June 3 – July 28, Saturdays, 9 – 1:30
Auditorium Building, 430 S. Michigan Ave., Chicago, IL 60605

Contact the Roosevelt University Registrar to register: 312-341-3535,
regcc[at]roosevelt[dot]edu. E-mail Professor Mohanraj with questions or for a
copy of the syllabus: mmohanraf[at]roosevelt[dot]edu.